Topic: Barnes Foundation

  • Donor Intent Watch: Higher Education Donors React to Campus Responses to Israel-Hamas War

    Earlier this year, following the passage of the Donor Intent Protection Act in Kansas, Philanthropy Roundtable launched a monthly series on donor intent controversies around the country to better inform those who care about this important topic. We await updates on lawsuits involving Middlebury College and the former Hastings College of the Law, and will continue to inform readers about those topics.    

    Most cases discussed this year have involved gifts to colleges and universities. Art and natural history collections have also experienced disputes, as indicated by our continuing coverage of the Barnes Foundation and the October 2023 discussion of a landmark case at the Berkshire Museum. This month, following nearly six weeks of campus turmoil, we are returning to higher education and featuring several recently-published articles that raise important questions about the relationship between donors and the institutions they support.    

    We encourage donors to contact us with any questions they have about our featured items and consult additional resources on donor intent at the Roundtable’s Donor Intent Hub. We also welcome any news about donor intent that we may have missed.    

     
    Wealth Management: “Philanthropists are Pulling the Plug” 

    Trust & Estates legal editor Anna Sulkin Stern writes about donors’ responses to the October 7 Hamas attack on Israel and rising antisemitism on campuses, naming those who have suspended or terminated their giving to Harvard University, Columbia University and the University of Pennsylvania. She also reminds readers that donor dissatisfaction can easily spread to other donors and campuses, quoting from an October Trusts & Estates article:  

    Upholding and respecting donor intent encourages charitable giving. When donors know their intent will be honored, they develop confidence in the charitable sector and the organizations to which they give. However, if donors lack trust or confidence that their intent will be protected by those responsible for upholding it, some either won’t give or will give somewhere else. 

    The article goes on to suggest that although this season’s disputes between donors and higher education grantees do not necessarily involve violations of donor intent, donors who continue to give to colleges and universities may change how they structure their gifts. Avi Z. Kestenbaum, co-chair of Meltzer Lippe’s Trusts & Estates practice group, warns: “ 

    … In the future, I could see major donors putting more conditions and restrictions on their donations, not only as to how the funds are used, which is already common, but also with regard to the world view and belief system the university espouses and supports on its campus, in light of what we are now witnessing at some of these universities. 

    In the current environment, Kestenbaum’s prediction is likely correct. Increased donor restrictions, however – especially those that speak to an institution’s “world view and belief system” – are likely to run head on into faculty and administration concerns about hiring, tenure and ultimately, academic freedom. Donors will need to be well-informed about utilizing appropriate language in their gift agreements and should be prepared to engage legal assistance if needed. 

    Read more here.  


    The Chronicle of Higher Education: “The Dangers of Donor Revolt” 

    In The Chronicle of Higher Education, Lila Corwin Berman, a professor of Jewish history at Temple University, and Benjamin Soskis, a senior research associate at the Urban Institute’s Center on Nonprofits and Philanthropy, discuss the unfavorable reactions of many philanthropists to recent campus events. They also worry this signifies an unhealthy and dangerous level of power in the hands of megadonors that warrants increased regulation.    

    The authors note:  

    In 2022, the Council for Advancement and Support of Education calculated that institutions of higher education took in $59.5 billion in charitable gifts and found that the top 1% of givers accounted for at least 80% of all donations. Dependent on these top givers, colleges allowed them to earmark funds through “restricted” gifts dictated by donor-determined limits and priorities. According to one recent study, a full 68% of money in the largest private universities is “restricted” in this way.  

    Of particular concern, Berman and Soskis suggest, is that the political leanings of the wealthiest Americans “tend to skew centrist and conservative on many issues.”   

    While conceding that donors who are now threatening to withhold further gifts if universities fail to address antisemitism on their campuses may be “hold[ing] power to account,” the authors suggest these donors may also be engaging in “public grandstanding … showing the public that, far from balancing power, they are arrogating too much for themselves by elevating their concerns over others’ interests.” Regarding the revolt of Jewish donors, they maintain, “It is safe to assume that some critics will draw on a deep well of antisemitic tropes linking Jews to perfidious uses of power.”  

    “The donor revolt,” Berman and Soskis conclude, “has brought to the surface long-simmering debates about philanthropic power. … At the very least, we should take it as an opportunity to ask whether the philanthropic system as it exists is worth defending, or whether a public revolt against the philanthropic status quo is in order.” 

    Yet the authors never clarify what form such a public revolt might take, or what manner of increased charitable regulation they propose. Their concerns about donors who are demanding that higher education grantees abandon free speech and the protection of academic freedom are certainly warranted, yet they fail to acknowledge that donors have the right to restrict the use of their gifts to programs and institutions aligned with their values.  

    They imply that Jewish donors should avoid voicing their anger and retracting financial support because they will likely inspire more antisemitism. Their focus on donors’ power discounts the bargaining power a university can bring to the table – especially when donors are alumni who are emotionally invested with their alma maters.  

    Finally, Berman and Soskis seem to neither understand nor acknowledge that the common thread in the current communications of dissatisfied donors is a powerful feeling of betrayal. That is true for many donors who cannot be simply written off as “megadonors,” including the 1,600 Harvard alumni who are threatening to end any financial support of their alma mater unless the university addresses the wave of antisemitism on its campus.  

    Read more here. (You may need to create a free account to access this article.)   


    Cornell University and Dartmouth College on Faculty Responses 

    In The Cornell Daily Sun and on Dartmouth’s website, these articles focus on faculty members and their responsibilities to the community of students and others they serve. Both are potent reminders that the core purpose of higher education institutions is not fundraising, not lobbying, not public relations – it is teaching.  

    Responding to the October 7 terrorist attacks on Israel, eight Cornell University faculty members representing a variety of fields of study sent a joint letter to the student newspaper regarding the tumultuous events on that campus over the month that followed. “Whatever our personal response to the unfolding spectacle of physical and verbal violence now being directed at Jewish people not only here, where we live, but everywhere,” they write, “it is as professors and educators that we wish now to speak and to register our offense.” What follows is a stark reminder of the many ways in which too many faculty members have abrogated their responsibilities not simply to their profession, but – and far more importantly – to their students.  

    Failure to ensure student safety is a primary concern, the authors argue, as students must be given an opportunity to discuss issues in classrooms “without fear of reprisal, intimidation and the threat of public shame.” They go on to say, “If professors abdicate their responsibility to ensure the freedom of all their students to speak their minds, what happens in the classroom hardly deserves the name of higher education. What passes for teaching under such circumstances is called propaganda.” 

    Faculty members who express opinions in public about matters they have not studied are expressing “contempt for the years of painstaking effort that it takes to master any subject,” the authors continue. Those faculty members, they say, are not only disrespecting their colleagues and their profession, but “are also making it very difficult for all of us to ask our students to follow the rules that differentiate the conscientious pursuit of knowledge from the irresponsible reproduction of ignorance.”  

    Finally, the authors say too many faculty members fail to engage students in understanding “the implications of their position on a specific question” and in “confront[ing] fully and honestly the meaning and consequences of what they are saying.” Intentionally – and even unintentionally – allowing one’s students to adopt a mindset based on slogans is one more symptom of the current “assault on the teaching profession and discourse, an assault with which the profession itself seems to be cooperating.” The victims of this assault, the Cornell authors conclude, “are precisely those whose approval we are now shamelessly courting and whose young impressionable minds are our most important charge.” 

    At Dartmouth, faculty members have succeeded in creating a safe forum for open and educated dialogue on matters at the heart of their scholarship. Since October 7, they have offered three on-campus and livestreamed events for the college community. Susannah Heschel, chair of the Jewish studies program, and Jonathan Smolin, associate professor of Middle Eastern Studies, have led this effort which has featured faculty from Dartmouth and other institutions. Heschel has credited the longstanding practice of scholarly collaboration between the two programs, noting, “Because of that long-term relationship and understanding, we were able to immediately jump right in on this issue as soon as the October 7 attacks took place. … You don’t wait until there’s a crisis.” 

    Beyond this, a Dartmouth senior lecturer, Egyptian author and academic Ezzedine Fishere has taught a course on the politics of Israel and Palestine for seven years. In recent years he co-taught the course with visiting professor Bernard Avishai, a scholar of Israeli politics. “We thought having both perspectives would create a safer space for everybody in class,” Fishere has remarked. Although Avishai will not be available for the college’s winter term, Fishere will bring in other presenters by Zoom, explaining: 

    The idea has always been to teach students to understand the motivations of the players and their concerns and their aspirations so that they can better analyze this conflict and understand its dynamics—where it might be going—rather than to try to get them to know, quote-unquote, the truth and take positions about it. … I’ve seen how students, once they feel safe enough to allow themselves to exercise introspection about the community that they come from and about their own beliefs and stereotypes, they can open up and allow themselves to go beyond the point where they started. It’s heartwarming and it’s also what learning is about. 

    The critical importance of the teaching faculty to donors who are committed to reforming higher education is manifested in both Cornell University’s faculty letter and Dartmouth College’s faculty collaboration. In our guidebook on donor intent, “Protecting Your Legacy,” we recommend that a donor find at least one (ideally tenured) faculty member at the target institution who shares the donor’s vision and can help a donor navigate the bureaucracy of a particular campus. Faculty members can be particularly useful in explaining an institution’s academic processes and the boundaries of academic freedom, and can assist donors in building more support and continuity for their proposed reforms.  

    Read more here and here. 

  • Donor Intent Watch: A Dispute at the Berkshire Museum Offers Lessons on Donor Intent

    Earlier this year, following the passage of the Donor Intent Protection Act in Kansas, Philanthropy Roundtable launched a monthly series on donor intent controversies around the country to better inform those who care about this important topic. We continue to await updates on lawsuits involving Middlebury College and the former Hastings College of the Law, and will continue to inform readers about those topics.   

    Most cases discussed this year have involved gifts to colleges and universities, and that will likely continue. Art and natural history collections have also experienced such disputes, however, as indicated by our coverage of the Barnes Foundation. This month, our focus is entirely on the museum world as we discuss a landmark case and the complications that can ensue regarding donations to museums and donor intent.  

    We encourage donors to contact us with any questions they have about our featured items and consult additional resources on donor intent at the Roundtable’s Donor Intent Hub. We also welcome any news about donor intent that we may have missed.   


    The Controversy Over Raising Funds by Selling Art at the Berkshire Museum 

    As we noted in August, the controversy at the Brauer Museum of Art at Valparaiso University revolved around the university president’s decision to sell three notable pieces of art to raise funds for expanded on-campus student housing. The courts eventually dismissed the lawsuit brought by his opponents because they lacked legal standing. There was no decision on whether the institution’s financial need was sufficient to justify the sale.  

    A 2017 case in Massachusetts, however, was ultimately resolved – at least legally – on the basis of financial need. The Berkshire Museum, a relatively small facility in the western part of the state, faced continued annual financial losses and its trustees had been considering how best to resolve its critical budget crisis since 2015.  

    In 2017, they agreed to deaccession and sell 40 works of art at auction, not only to address the museum’s immediate need, but also to raise $60 million for a long-term sustainability plan to recreate the museum to showcase science and history along with art. Among the art works to be auctioned were two Norman Rockwell paintings that had been donated by the artist himself, an Alexander Calder sculpture and a painting by the Hudson River School’s Frederic Church.  

    Two lawsuits were filed in response, one by the three sons of Norman Rockwell who argued the museum trustees were violating their father’s donor intent. All the sons were beneficiaries of the Rockwell estate, and one was the estate’s executor. Another plaintiff in that suit was Tom Patti, an artist and owner of a company contracted by the Berkshire Museum to install two glass works. He sought to prevent the modification or revocation of his contract in the museum’s proposed plans.  

    The last group of plaintiffs in the Rockwell lawsuit were members of the museum, several of whom had also made donations beyond their membership dues. They claimed the decision to sell works of art constituted a breach of contract between the museum’s trustees and its members. A second lawsuit was filed by a group of plaintiffs who were residents of Berkshire County, some of them also museum members. 

    Museum professionals also objected to the proposed sale. In July 2017, the American Alliance of Museums and the Association of Art Museum Directors issued a joint statement noting the two organizations were “deeply opposed to the Berkshire Museum’s plans to sell works from its collection to provide funds for its endowment, to make capital investments and to pay for daily operations. One of the most fundamental and long-standing principles of the museum field is that a collection is held in the public trust and must not be treated as a disposable financial asset.” 

    From the beginning of the dispute there were questions about the legal standing of the plaintiffs to seek injunctive relief from the courts to block the sale of the paintings. On October 30, 2017, the attorney general of Massachusetts at the time and now governor of the state, Maura Healey – who had been named a defendant in the Rockwell suit – joined that lawsuit and “filed an emergency motion to ‘convert from defendant to plaintiff if plaintiffs lack standing’ and, if so, to seek a preliminary injunction on behalf of the Commonwealth.” This motion was granted. 

    The decision of the Superior Court of Massachusetts was issued on November 7, 2017. Associate Justice John A. Agostini dismissed all the non-governmental plaintiffs in the Rockwell lawsuit and all the plaintiffs in the second lawsuit for lack of standing and denied the attorney general’s motion for a preliminary injunction. The text of the decision is enlightening in understanding the various factors when a museum’s collection management policies are in play.  

    Regarding art deaccessions, for example, the court noted, “If it is used to pay for a greater work of art or to change a collection’s focus, deaccession is generally tolerated. However, if it is used for operations or capital expenses, it is discouraged, if not condemned.” Agostini added, however, “there are numerous examples of museums deaccessioning artwork for operating or capital costs,” and “the courts have played a very limited role and there is scant legal authority, statutory or case law, when a conflict of this nature arises.”  

    Instead, the court’s primary concerns were whether the plaintiffs had standing and whether the requirements for a preliminary injunction had been satisfied. The Rockwell sons, Agostini ruled, had no standing to enforce their father’s contracts; only his estate or trust had that option. Patti lacked standing because his suggested injuries were “too speculative.” And the rights claimed by museum members or donors or residents of Berkshire County were simply insufficient for legal standing. 

    Regarding the attorney general – who clearly did have standing to request an injunction – Agostino raised many questions. Noting that her office had been “fully engaged in this controversy” for at least four months, no steps had been taken to intervene or even question the upcoming auction until the last minute. Even then, the office stated merely that it had unspecified “concerns,” and needed more time to investigate the situation. Yet there was no request for a continuance, simply one for a preliminary injunction. He concluded, “In this litigation, the AGO is a reluctant warrior” and the “general reluctance [of her office] gives the court pause.”  

    Tackling the major points of the attorney general’s argument, the court found the museum trustees were responsibly performing their fiduciary duty by acting “in good faith” and with “reasonable care.” Their proposed sale of works of art would not violate any charitable trusts, nor would their plan to showcase science and history as well as art violate their corporate purpose.  

    In his opinion, Agostino paid particular attention to the assertion that the sale of the two Rockwell paintings would constitute a violation of donor intent, a contention he vigorously countered by noting, “There is no evidence before this court that Rockwell ever said – to anyone, let alone the Museum – that he wanted these paintings to remain with the museum or to be displayed forever in the Berkshires.” “The sum total of the evidence,” he added, “tends to show that Rockwell simply wanted to benefit a museum that he particularly enjoyed.” 

    In his final statement, Agostino recognized that his denial of an injunction “may very well mean that timeless works by an iconic, local artist will be lost to the public in less than a week’s time.” That, however, was not the case. Just three days before the auction was scheduled to begin at Sotheby’s, the Massachusetts Appeals Court, responding to a motion requested by the attorney general’s office, placed an injunction on the sale until at least December 11, 2017, and granted that office the option to request an extension beyond that date so it could continue its investigation of the matter.  

    In February 2018, the attorney general and the trustees of the Berkshire Museum won court approval of the settlement agreement they had reached and the sale of designated works of art was scheduled for April. Both sides had made concessions to reach this point, and again, the fate of the Rockwell paintings – particularly, Shuffleton’s Barbershop – was a key issue. The attorney general’s office conceded the right of the Berkshire Museum to sell some of its acquisitions because of financial need and agreed its long-range plan was appropriate. The museum trustees agreed to the restriction that Shuffleton’s Barbershop be sold only to another nonprofit museum and to a $55 million cap on the revenue the museum could earn from the sale, ensuring no additional works would be sold once proceeds reached that total.   

    Selling for an estimated $25 million, Shuffleton’s Barbershop found a new home at the (George) Lucas Museum of Narrative Art in Los Angeles. Because the Lucas Museum would not open until 2022, the painting would spend at least two more years in Massachusetts on loan to the Norman Rockwell Museum, only 20 miles from the Berkshire Museum. The balance of the sales at Sotheby’s did not go as expected, however, as many of the works up for auction failed to bring in their pre-sale estimates, and it took longer than anticipated to achieve the museum’s goal.  

    Despite the settlement, critics of the sale continued to voice their opinions. In addition to the protesters who gathered daily at Sotheby’s, the Association of Art Museum Directors issued a statement that made their position clear:  

    Notwithstanding the decision by the Court, AAMD will continue to advocate for the highest ethical and professional practice standards in collections management and deaccessioning. And if the Berkshire Museum proceeds with its current plan for selling deaccessioned works and utilizing the funds for operating and capital purposes, AAMD will have no choice but to consider taking further action in accordance with its policy, which may include censure and/or sanctions.  

    AAMD did, in fact, impose sanctions on the Berkshire Museum in May 2018, asking all of their 243 members to refrain from lending or borrowing works of art and also to refrain from collaborating with the Berkshire Museum on exhibitions. In 2020, AAMD altered its policy temporarily, placing a two-year moratorium on any punitive actions “in recognition of the extensive negative effects of the current crisis on the operations and balance sheets of many art museums.” AAMD also said a museum “might use proceeds from deaccessioned art to pay for expenses associated with the direct care of collections,” noting, “Each museum must determine its own definition of ‘direct care.’” In 2022, AAMD restored its pre-pandemic policy, a response not only to changed economic conditions, but also to equity-focused definitions of “direct care.”  

    We can reasonably anticipate ongoing donor intent disputes in cultural institutions, and we will report on them as they arise. 

  • Donor Intent Watch: Courts Rule on Arts and Education Controversies

    Earlier this year, following the passage of the Donor Intent Protection Act in Kansas, Philanthropy Roundtable launched a monthly series on donor intent controversies around the country to better inform those who care about this important topic. This edition of Donor Intent Watch includes updates on current disputes at Middlebury College in Vermont, Valparaiso University in Indiana, a new (and unusual) donor intent controversy at the University of California-San Diego and discouraging news about the continued violation of Albert Barnes’s intent for his remarkable art collection.   

    We encourage donors to contact us with any questions they have about our featured items and to consult additional resources on donor intent at the Roundtable’s Donor Intent Hub. We also welcome any news about donor intent that we may have missed.   


    Court Rules Mead Family Can Proceed with Lawsuit against Middlebury College 

    In our May 2023 Donor Intent Watch we discussed the 2021 removal of the Mead name from the iconic Mead Memorial Chapel, which former Vermont Gov. John Mead funded at his alma mater in 1914. Middlebury College officials claimed that Mead’s early but brief involvement in the eugenics movement was the reason for their action. In response, another former Vermont governor, Jim Douglas, filed suit against the college on behalf of the Mead Family on March 24, 2023. Middlebury then filed a motion to dismiss in April, claiming first, the gift agreement of 1914 does not require that the Mead name remain on the chapel in perpetuity and second, that Douglas and the Mead family lack standing to bring the case to court. The Vermont Superior Court heard oral arguments on July 21, and on August 4 ruled the lawsuit can go forward. The court saw no problem with legal standing, but is instead focusing on the documentation of the terms of the 1914 gift and has allowed the plaintiffs to proceed with discovery.  

     Middlebury’s legal representatives have chosen to build their case around the documents that preceded, accompanied and followed the gift. Former Gov. Douglas has already shared documents and photos held by Mead’s family with the court. We will be watching to see what discovery yields among Middlebury’s records and—most important—how the Court interprets the documentation it receives.    

    Read more here. 


    Indiana Attorney General Files to Dismiss Lawsuit Against Valparaiso University 

    The May Donor Intent Watch also reported on a lawsuit filed against Valparaiso University and Indiana’s attorney general by Richard Brauer, the founding director of Valparaiso University’s art museum (now named the Brauer Museum of Art), and Philipp Brockington, an emeritus professor and benefactor of the museum’s collection.  The suit is to stop the planned sale of three paintings, which would fund a renovation of freshman dormitories. The university has maintained neither Brauer nor Brockington has standing to sue because they are not directly connected to the charitable trust that provided the artwork with the stipulation that proceeds from any sale of the works be reinvested in the museum and its collection.  

    We commented on this in our earlier summary, noting [the plaintiffs’] “attorney, Patrick B. McEuen, claims that because Valparaiso’s art museum bears his name, Brauer has a ‘reputational stake’ and therefore ‘common law standing’ in the litigation.” Indiana Attorney General Todd Rokita has rejected that creative claim and has filed for dismissal of the suit against the university citing the lack of standing. 

    Read more here. 


    Former UCSD Oncologist Wins $39 Million in Case Involving Donor Intent 

    In a most unusual case, a jury recently awarded over $39 million to Dr. Kevin Murphy, a former department vice chair at the University of California-San Diego (UCSD), in support of his claim that the university was misdirecting funds donated specifically for his cancer research, and had retaliated against him when he complained. The dispute began in 2015 after the death of Murphy’s former patient, Charles Kreutzkamp, whose family awarded a $10 million dollar gift to the UCSD Foundation for what was designated simply as “cancer research.”  

    A few months later Murphy claimed the funds were donated for his personal work with experimental brain stimulation technology, which he had used to treat the side effects Kreutzkamp experienced during chemotherapy. He backed up his assertion by citing a letter signed by Kreutzkamp’s widow, Ernestina Kreutzkamp, that indicated he was, in fact, the intended recipient of the funds. UCSD then transferred the funds to Murphy but later accused him of spending the money on his private brain treatment businesses, thereby violating university policy. Murphy countered with public statements about the university’s attempts to steal his funds, and—when his contract was not renewed in 2020—said he faced retaliation by the university as a whistleblower.  

    Lawsuits filed by both parties finally brought the case to trial this summer. Among those appearing in court was Ernestina Kreutzkamp. According to a news report, she testified she could not read English and had neither written nor read the 2016 letter that Murphy used to claim the Kreutzkamp gift. Nor, she added, had she been aware of the contents of her late husband’s will before his death. She said she had spoken with her husband’s attorneys, however, and believed he had intended for the gift to support Murphy’s work. The presiding judge advised the jury they were not deciding Charles Kreutzkamp’s donor intent but could use his widow’s testimony to assess Murphy’s credibility. Although some of her testimony contradicted Murphy’s account of events, the jury ultimately ruled in his favor. UCSD has not commented on the outcome of the case. 

    Read more here. 


    Violation of Albert Barnes’s Intent Continues 

    In July, the Montgomery County Orphans’ Court in Pennsylvania issued a decree permitting The Barnes Foundation to lend its art to other cultural organizations and to alter the way paintings are exhibited in its Philadelphia museum. With this decree, the court has now overturned two additional restrictions in art collector Albert Barnes’s indenture of trust, as it did when it permitted his collection to be moved from its location in the suburb of Merion, Pennsylvania, to downtown Philadelphia in 2012. Although the court has imposed limits on the number of paintings that can be on loan simultaneously and on the length of loan terms, this judgment is a striking departure from Barnes’s wishes. The decision to allow changes in the manner in which the art is displayed is equally momentous.  

    Those who fought against the move of the collection must find it ironic that proponents of these new changes “made their case based on the premise that [the Barnes] is primarily an educational institution, rather than a museum,” according to The Philadelphia Inquirer. They also testified that in his lifetime Barnes had made loans of art and he and his associates would “mix and match ensembles of paintings and other works for analysis in their teaching.” No one seems to have countered that a donor’s actions while he is alive have no bearing on the written restrictions he leaves for those who follow. 

    In 2022 Philanthropy Roundtable released a film entitled “Donor Intent Gone Wrong: The Battle for Control of the Barnes Art Collection.” In this 10-minute documentary we note “For Albert Barnes, it’s very clear, the last thing he wanted to happen to his art is exactly what happened. … He tried very hard to put protections in place. But even he didn’t anticipate everything that could happen.” Indeed.  

    Read more here.